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News, JulyAugust 1995, 9 and author's interview, April 2, 1998. By mid-summer, the Air Force Association and American Legion led opposition to the exhibit, fearing that it would not present a balanced view of the events and that it would focus exclusively on the “horrors of war” and an alleged “moral equivalence” between Japan and the United States. Controversy in the American Museum from the Enola Gay to Sensation Steven C. its opening in the mid- 1970s, Air and Space had gained a worldwide.
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Early in 1993, curators began to develop plans for an exhibit that would center around the Enola Gay, the B-29 Stratofortress bomber that dropped the atomic bomb on Hiroshima, but opposition from veterans’ groups rose almost immediately. Gay exhibition in January 1995 may constitute the worst tragedy to befall the. The exhibit marking the 50th anniversary of the end of World War II featuring the refurbished B-29 Enola Gay proposed by the Smithsonians National Air and. When the museums plan were revealed, initially an article in Air Force Magazine in. The beleaguered museum director resigned and the Enola Gay exhibit opened in mid-1995, stripped down to the Enola Gay, a plaque identifying the B-29, an upbeat film about the crew, and a cardboard cutout showing the crew members. On January 30, 1995, the National Air and Space Museum capitulated to popular and political pressure and scuttled an exhibit they had planned to coincide with the fiftieth anniversary of the end of the Second World War. It depicted the Japanese more as victims than as aggressors in World War II. In January 1995, 81 members of Congress likewise demanded cancellation of the exhibit and called for Harwit's dismissal.